

My
own much cherished 1880 edition
of The
Origin of Species
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The
love for
all living
creatures is the
most noble
attribute of man.
1868.
'The
Variation Of Animals And Plants Under
Domestication.' 2 vols.
'The
descent of man,
and selection in relation to sex.' 2 vols.
1871.
Emma
Darwin in middle
age.

We must, however,
acknowledge, as it seems to me, that man with all his noble
qualities... still bears in his bodily frame the indelibel stamp of his
lowly origin.
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Darwin
and a
'relative', supposedly comparing
similarities.
Janet
Browne in her otherwise excellent two volume biography of Darwin
suggests, (I believe incorrectly) that this is one of the last
portraits of Darwin.
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From my early
youth I have
had the strongest desire to understand or explain whatever
I
observed, - that is, to group all facts under some general laws. These
causes combined have given me the
patience to reflect or ponder for any
number of
years over any
unexplained problem. As far as I can judge, I
am not apt to follow blindly the lead of other men.
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Darwin's
estemed
head placed on the shoulders of an ape - a typical
response
of
Victorian Christians to Darwn's
'antiChrist' theories.
1874
albumen carte-de-visite photograph
(left) from
which the colourised version was made.
Darwin
was 65 at the
time.
Pen and ink sketch
by Harry Furniss.
National Portrait Gallery.
1875
Etching by
P. Rajon, from
a
portrait by
William Ouless.
An
illustration from 'The effects of cross and self fertilisation in the
vegetable kingdom.'
1876.
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I
can indeed hardly
see how anyone ought to
wish
Christianity
to
be true; for if so the plain language of the text seems to show
that
the men who
do not believe, and this would include my Father, Brother
and
almost all my best friends, will be everlastingly punished. And this
is
a damnable doctrine. |
1877.
Darwin
at 68.
1877 Superb sepia
print by Lock
&
Whitfield.
Sketch by
Marian
Huxley. 1878
Copyright: 2005-2010
by Danny
Vendramini
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